The Taj Story trailer opens a courtroom battle over Taj Mahal’s history: Temple or mausoleum

The Taj Story promises a daring courtroom drama where Paresh Rawal challenges traditional narratives about the Taj Mahal through DNA tests and legal duels.

By Shaptadeep Saha

Oct 18, 2025 13:37 IST

The trailer for The Taj Story has landed. It doesn’t shy away from debates. The film casts Paresh Rawal as Vishnu Das. The movie frames itself as a courtroom drama that examines the accepted advent story of the Taj Mahal. The premise gives a sign about the film intending to unsettle historical certitudes and invited debate.

What the trailer reveals

The trailer introduces Rawal’s character as a Taj guide transforming into a truth-seeker. He urges for a DNA test on the monument itself to determine contradicting claims about its past. Tensions peak in the dramatic courtroom confrontations, especially between Rawal and Zakir Hussain, who apparently disagrees with his claims. The dialogues indicate at a layered confrontation between belief, archival evidence, and public memory. The scenes show the “22 rooms underneath Taj Mahal” claim, agitated arguments, and Rawal’s determined gaze. Each moment is planned to provoke reflection.

Cast, creators & context

The Taj Story is written and directed by Tushar Amrish Goel, and produced by Swarnim Global Services Pvt. Ltd. and CA Suresh Jha. The cast includes Amruta Khanvilkar, Sneha Wagh, Namit Das, alongside Zakir Hussain. The movie is scheduled for a theatrical release on October 31, 2025.

Paresh Rawal has upheld the film amidst controversy over a motion poster illustrating a Shivling motif on the dome of the Taj. He elucidated that the film does not trade with religious matters, but with historical inquiries and evidence. The makers have maintained that the narrative is grounded in archival investigation, not doctrinal contention.

What makes this narrative bold and risky

The Taj Mahal is among India’s most iconic, emotionally loaded monuments. The movie question its origin is to brush up against national sentiment, communal dignity, and academic orthodoxy. The movie chooses a courtroom drama format. The film strives to frame historical discourse as a legal challenge where law meets memory. The trailer’s strategy is to dramatize archival gaps, invite counterclaims, and make viewers a part of the inquiry.

It welcomed backlash both from chroniclers and from public opinion. The skeptics might tag it revisionist or provocative. The earlier poster’s imagery already attracted heat for allegedly stoking religious tones.

The Taj Story sets out to be more than just a film. It aspires to be a cultural conversation. The film comes with a technically polished trailer, provocative claims, and a stellar cast. It seeks to challenge the viewer’s beliefs about one of the world’s most beloved monuments. As October 31 approaches, audiences are left to think whether they’re noticing a courtroom drama or a historiographic experiment.

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